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Less admin, more etching.

Track editions, print fairs and galleries from one print studio. Printmaking spreads editions across galleries, fairs and collectors. Plya keeps each edition as a project, with the people and invoices around it.

Free to start. No card needed.

Open calls, fairs and grants for printmaking

Each edition is a project with its own canvas. The print sits in the middle, the galleries and collectors holding impressions sit around it, and a sticky under each lists the numbers they have.

The admin that comes with editions, fairs and galleries

An edition sells one numbered print at a time, from several places at once, often over years. Each number can be sold once, and you're the only one who knows where all twenty-five are.

  • Twenty-five prints, sold over years

    One printmaker puts the fastest sell-out at about two years, even for an edition of 24. Some editions still have prints in the flat file a decade later.

  • Which number sold at the fair

    The sale goes through at the booth, and the number goes on a receipt or into a notes field. Matching it to your records waits until the fair is packed up.

  • The prints at a juried show

    A juried print show keeps your prints until it closes in June, and you supplied the return label. Two galleries hold a few more each.

  • The number is a promise

    An edition of 25 means there will never be a 26th. The proofs, the spoiled pulls and the artist's proofs all have to add up, and the count lives wherever you wrote it down at the press.

At the press

Know what each edition needs before the fair

An edition is a project with its steps as dated tasks: proof and sign the BAT, print the edition, then sign, number and cancel the block. Today lists what's due across every edition in progress, so the run is dry and signed before the fair opens.

Hands peeling a linocut print off its inked block on a press bed

Keep the proofing log with the edition

Each edition gets a note linked to its project. Add a photo of each trial proof with what you changed, the day you signed the BAT, and the count once the run is done: how many you pulled, how many spoiled, the edition and the APs, and the day you canceled the block. When a gallery asks for it, download it as a PDF from the note's menu.

How notes work

Tell Ash what sold at the fair

The Monday after a print fair, tell Ash which numbers sold. It adds each sale to the end of that edition's proofing log, and makes the task you ask for, like restocking the fair box. Every change it makes shows with Open and Undo.

How Ash works

Tools for the full printmaker's year

Residency deadlines, print week, juried shows, editioning and the holiday sales come around every year. Each one has a place in Plya.

  1. January to February

    Residency deadlines

    Residencies and grants with press time close in winter. Opportunities lists the printmaking ones with their deadlines and entry costs. Mark the ones you've applied to.

  2. March to April

    Print week in New York

    The IFPDA Print Fair and the fairs around it fill a week in New York. The publishers, dealers and print-room curators you meet go in Network, each linked to their gallery or press.

  3. May to June

    Prints out at juried shows

    A juried show keeps your prints until it closes. The pickup or the return label is a task, due the day the show comes down.

  4. July to August

    Editioning for fall

    Proof, BAT, print, cancel. Each new edition is a project, with those steps dated back from the first fall fair.

  5. September to October

    Exchanges and mini prints

    An exchange portfolio asks for a set edition on set paper, like 13 prints on 11 × 14. Keep each call's size, paper and due date in a note.

  6. November to December

    Holiday print sales

    Prints sell as gifts in December. Invoice the collectors who buy direct, paid online to your own Stripe, and Finance shows what's paid and what's still open.

Print the price list for the fair

Keep a note with every edition you're bringing to the fair: its size, its paper, the edition size and the price. The week before, download it as a PDF from the note's menu and print it for the booth.

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Spend more time at the press

Know where every numbered print is, how many you pulled and who has paid, and keep the studio for ink and paper.